Time•Theatre•Exhibition

Gaze and dissociation, narration and presentation, compose the different space we watch the works (movie, drama, exhibition), which were hidden simultaneously under the control of time. Time not only controls the way to watch, but also isolates us in different “correctnesses”. We are limited to the shape of the art.

Time· Theatre·Exhibition provides an opposite way of watching. We attempt to re-lay the arts in different spaces on the basis of time and let them share the same space. One thing could be re-understood in the process of overlapping the time.

We could watch the exhibition by using the way of watching drama, experiencing the drama by using the way of watching exhibition at the same time. They overlap, juxtapose, and circle with each other, developing a new time scene.

This may be our expectation to the kind of “universal theatre”, which is concerned with “more”, such as the common relationship between our lives and the social disappearing beyond the visual power, and the experiences, memories and desires that every one holds?

We attempt to come to the position in a kind of “natural situation”, which enables to detach ourselves from the knowledge, concept, Ideology and language specification control by all kinds of education systems for the moment; Plus, thanks to the disappearance of space limit, there could be another possibility to watch.